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Dignified Life: Outliving Impossible Ecologies

Thursday, 25 September, 7pm
Beirut Art Center

Join us as we launch the new digital publication Dignified Life: Outliving Impossible Ecologies. The event will premiere Shada Safadi’s newly commissioned video work The Wind Ropes. It will also feature a conversation with contributors Munira Khayyat and Public Works, followed by a live sound performance by Afram Chamoun.

Dignified Life: Outliving Impossible Ecologies confronts the ongoing colonial violence in Lebanon, Palestine and the Golan examining how these assaults — cyclical, escalating, and systemic — have devastated not only human lives but also the ecological and social fabric of the region. Through the interdisciplinary work of artists, researchers and writers, the digital publication also reveals how life insists despite perpetual conditions of indignity and destruction.

This event is a collaboration between The Mosaic Rooms and Beirut Art Center. Supported by Art Jameel and British Council through Anhar: Culture and Climate Platform.

This event is free and open to all. No RSVP needed.

Dignified Life: Outliving Impossible Ecologies

DOWNLOAD AND READ THE PUBLICATION
high-res
(568MB)
low-res
 (46MB)

Dignified Life: Outliving Impossible Ecologies is a digital publication examining the impact of perpetual colonial realities and counterinsurgency wars in Lebanon, Palestine and the Golan. By focusing on these interconnected geographies, it asks how to read the present, and how to prepare for habitable futures amid cycles of ongoing violence.

Through artistic and ecological practices that explore human and non-human relations which defy systemic violence, this publication features commissions by Shourideh C. Molavi, Public Works Studio, Munira Khayyat, Lawrence Abu Hamdan & Mhamad Safa, Marwa Arsanios, Carla Aouad, Aya O. Bseiso, Afram Chamoun, Manal Zia, Shada Safadi, Sanabel Abdel Rahman and Lobna Sana. Including illustrations, a conversation on sound, and a new video work, the contributions also span poetic fieldnotes and speculative fiction, as well as spatial and environmental analyses and propositions.

The publication is designed by Studio Kawakeb and edited by Rayya Badran. Commissioning editors: Reem Shadid, Odessa Warren, Siegrun Salmanian and Angelina Radaković.

 

Dignified Life: Outliving Impossible Ecologies is part of War-Torn Ecologies: Resistant WorldsA collaboration between Mosaic Rooms and Beirut Art Center, supported by Anhar: Culture and Climate Platform.

“Solidarity’s Hinges: Tools, Porosity and Urgent Hands” in: Epistemic Imaginaries – Learning as Festivity, edited by Brandon LaBelle and Katía Truijen, 2025.

We are delighted to share that curators Najia Bagi and Siegrun Salmanian, along with artist Akil Scafe-Smith of RESOLVE Collective, have contributed to the forthcoming publication Epistemic Imaginaries – Learning as Festivity, edited by Brandon LaBelle and Katía Truijen. This beautifully curated collection brings together voices from around the world who are reimagining education as a space of celebration, collectivity, and transformation.                                                                    

Read our conversation titled Solidarity’s Hinges: Tools, Porosity and Urgent Hands in which we discuss the 2024 project Tools for Solidarity which collaborated with children from London and Ramallah. We’re also curious to dive into the pieces by the editors, our friends The School of Mutants and fellow contributors Dele Adeyemo, Suman Bhagchandani, Cláudio Bueno (Explode!), Gabrielle Civil, Nico Dockx and Laure Severac, Yim Sui Fong (The Rooftop Institute), Zahra Malkani and Shahana Rajani (Karachi LaJamia), Amy pickles (Varia), Pelin Tan, and Sveinung Unneland (Joy Forum). 

Pre-order the book here

Have a say in The Mosaic Rooms exterior makeover!

Have a say in The Mosaic Rooms exterior makeover!

💄 Here’s what we’re proposing as part of our renovations, and we want your thoughts and suggestions:

  • A new main entrance leading through our beautiful garden—complete with a lift, wider doors, and improved stairs for everyone to enjoy easier access. The gate from Earls Court Road will be changed for an easy pedestrian, cycle and wheelchair access. Newly designed boards with information about opening hours and the programme will be displayed on either side. Newly installed lettering above the new entrance will increase visibility from Earls Court Road.
  • Garden glow-up! Think cosy new seating areas, a calming water feature, and parking for your bikes and buggies. We are changing the paving in the back garden to include a rain garden which is a type of Sustainable Urban Drainage. It will increase biodiversity of the rear area, and new plants and trees will contribute to reduce carbon emissions and improve air quality. Plus, for the little and big ones, we’re adding a slide and fun games to make your visits even more joyful. 😊
  • The gallery spaces will be upgraded, including a new permanent learning space and we will also be expanding the bookshop. Let us know what you would like to see in our spaces!

What do you think? Tell us within the next two weeks before we submit our planning application (by 18 October 2024). Your input matters as we shape the future of The Mosaic Rooms!

Come around for a free cup of tea or coffee and look over the plans. ❤️ Let’s make this space a true reflection of what our community wants.

You can fill out this quick survey here. You can let us know your thoughts in the space, write a letter, email us contact@archive.mosaicrooms.org or call us: 020 7370 9990.

War-Torn Ecologies: Resistant Worlds on Radio alHara

Tune in and listen back to the live programme as part of the London iteration of War-Torn Ecologies: Resistant Worlds, which took place last week (27-29 June) at The Mosaic Rooms.

Listen on Radio alHara via this link on Saturday 6 July, 12pm – 6pm (London) / 2pm – 8pm (Bethlehem).

The project is inspired by the book War-Torn ecologies, Anarchic Fragments: Reflections from the Middle East (2023) by Umut Yildirim. Extending from this, the programme focuses on the impact of perpetual colonial realities and counterinsurgency wars on ecologies in the Middle East. By engaging with artistic and ecological practices, it emphasises the relationship between human and more-than-human worlds as a methodology to counter ongoing colonial and imperialist systems of mass violence.

Talks and times

Welcome and Introduction
12:19-12:21 (London)
14:19-14.21 (Bethlehem)

Tareq Khalaf | Sakiya: Maintaining a Creative Presence on the Land
12:21-13:11 (London)
14:21-15.11 (Bethlehem)
Located in the agricultural village of Ein Qinya north-west of Ramallah, Sakiya is an experimental academy and cultural space, operating at the confluence of settler colonial expansion and the polluting effects of modern developments. By shifting cultural life to rural Palestine, Sakiya grafts agriculture with pedagogical, artistic and cultural activities, as a means to maintain a creative presence on the land. In the context of a militarised landscape and the alienating effects of a colonial spatial regime, Sakiya summons rituals of connection to land, memory and place through communal practices that insist on life.

Listening with Umut Yıldırım and Gascia Ouzounian | Mulberry Affects and Sonic Memories of the Armenian Genocide
13:11-14:18 (London)
15:11-16.18 (Bethlehem)
This conversation, which includes moments of collective listening, weaves together Umut Yıldırım and Gascia Ouzounian’s respective research on the genocidal erasure of Armenians. Yıldırım’s research posits mulberry trees on the banks of the Tigris River in the Armeno/Kurdish region of Turkey as ‘an-archic archives’ that raise questions about unrecognised massacre sites. Ouzounian draws from earwitness testimonies to explore sonic memory as a form of ‘counter-listening’. Both speakers employ these methodologies against the narrative of genocide denial that continues to be maintained by the Turkish state.

Ameneh Solati | Wetlands of Resistance
14:18-15:03 (London)
16:18-17.03 (Bethlehem)
The only uprising that occurred in Iraq during the thirty-five-year dictatorial rule of the Ba’ath party led by Saddam Hussein (1979–2003) started in the marshes in southern Iraq. It was the largest insurrection in the region until the Arab Spring in 2010. In this talk based on her essay ‘Wetlands of Resistance,’ Solati discusses the marshes as far more than mere zones of ecological and cultural richness or biological diversity, but also a political arena where power, autonomy, and resistance are articulated.

Kali Rubaii | You Can’t Measure War in Parts per Million
15:03-15:48 (London)
17:03-17.48 (Bethlehem)
Even as Rubaii’s environmental health research aims to measure weapons residue in the air, soil, and water of Iraq’s Anbar province, the landscape cannot be reduced to quantified evidence. A breath emitting Co2 and inhaling particulate matter, is also a scream, a last word. Food that is a vector for radiation is also kinship, endurance. Soil that is a sample is also a whiff of the homeland, a sacred relic. This series of ethnographic vignettes and creative nonfiction depicts the toxic, ghostly, fleshy, or nascent residents of Iraq’s war-injured ecologies and reflects upon the responsibilities to witness them.

Al-Block – Areej Ashhab & Sireen Alawi | Diaries as Counter-Maps: Reclaiming Narratives from Wadi Al-Sarar
15:48-16:30 (London)
17.48-18:30 (Bethlehem)
In this talk, Areej Ashhab and Sireen Alawi from Al-Block will present their recent work on Wadi Al-Sarar, a valley extending from Palestine’s Central Mountains westwards to the Mediterranean Sea. They trace its role as a route connecting Palestinian villages, communities, and their remains while traversing the separation wall and Israeli settlements, blurring the geopolitical boundaries that divide historical Palestine into separate jurisdictions. They will showcase an introductory video and read excerpts from their “Walker’s Logs” book series, sharing insights into their methodologies and highlighting walking as a tool for counter-mapping the contemporary Palestinian landscape.

Basma | Sonic Response
16:30-18:18 (London)
18:48-20:18 (Bethlehem)

War-Torn Ecologies: Resistant Worlds is curated by Odessa Warren, Umut Yildirim, Reem Shadid (Beirut Art Center), Siegrun Salmanian and Angelina Radaković (The Mosaic Rooms). The programme will resume at Beirut Art Centre in September 2024.

The programme War-Torn Ecologies: Resistant Worlds is supported by Art Jameel and British Council through Anhar: Culture and Climate Platform.

Design by Rand Hamdallah.

An Anti-Radiation Garden by Himali Singh Soin

Enjoy a moment of rest amidst the anti-radiation garden.🌹Proposing and exploring other temporalities, reflecting on the impact of nuclear and colonial violence, as well as the cycles of plant time, and healing, the garden will be open to visit throughout summer until entering the dormant season.🌾

Artist Himali Singh Soin created this therapeutic garden, proposing mending through growing plants with decontamination abilities, entangled with several such gardens planted around the world. It is part of Soin’s series Static Range (2020 – ongoing), Himali’s multi-disciplinary and multi-limbed project using a real-life spy-story in the Indian Himalayas as a canvas for speculations and reflections about nuclear culture, porosity, leakages, toxicity and love, spiritual-scientific entanglements, environmental catastrophe and post-nation states.

Himali Singh Soin is a writer and artist based between London and Delhi. She uses metaphors from outer space and the natural environment to construct imaginary cosmologies of interferences and entanglements. In doing this, she thinks through ecological loss and the loss of home, seeking shelter somewhere in the radicality of love. She has shown at Serpentine, Whitechapel and Mimosa House, London; TBA21, Madrid; Khoj, Delhi; Venice Biennale and Dhaka Art Summit among others. Her recent solo at The Art Institute of Chicago was an exploration of transnational nuclear culture. Her current research with her collective Hylozoic/Desires focuses on the metaphysics of salt, which began at DesertX in California last year and will continue in 2025 at Tate Britain and Somerset House in London.

 

Special thanks to Randa Toko, and Chris from Spitalfields City Farm.

Image: An Anti-Radiation Garden by Himali Singh Soin, The Mosaic Rooms, 2024. Photo by Ganesha Lockhart.

War-Torn Ecologies: Resistant Worlds

War-Torn Ecologies: Resistant Worlds is a multidisciplinary artistic programme, taking place in London and Beirut. The project is inspired by the book “War-torn ecologies, Anarchic Fragments: Reflections from the Middle East” (2023) by Umut Yıldırım. Extending from this, the programme focuses on the impact of perpetual colonial realities and counterinsurgency wars on ecologies in the Middle East. By engaging with artistic and ecological practices, it emphasises the relationship between human and more-than-human worlds as a methodology to counter ongoing colonial and imperialist systems of mass violence.

In a region often characterised by sectarian violence, “terrorism”, corruption, and resource exploitation, imaginative ecological practices continue to emerge through the cracks of occupation and war. Unfolding across multiple geographies, in physical and digital space, this programme brings together experimental and artistic practices which embody vital active solidarities. In turn, these create openings which resist and push back against the incapacitating effects of this violence.

Thursday 27 June | Opening Session | The Mosaic Rooms | 7pm
Françoise Vergès and Umut Yıldırım, moderated by Odessa Warren

Friday 28 June | Film & Talk | LUX | 7pm
Dala Nasser and Mhamad Safa, moderated by Adam HajYahia

Saturday 29 June | Live Programme | The Mosaic Rooms | 11am-7.30pm
Shourideh C. Molavi, Sakiya – Tareq Khalaf, Umut Yıldırım, Gascia Ouzounian, Ameneh Solati, Kali Rubaii, Al-Block – Areej Ashhab & Sireen Alawi and Basma

Thursday 27 June – Saturday 29 June | Film Programme | The Mosaic Rooms | 11am-6pm
with works by Suha Shoman, Jumana Emil Abboud, Ruba Salameh, Inas Halabi, Shada Safadi, Kamal Aljafari, Pejvak (Rouzbeh Akhbari & Felxi Kalmenson), Sherko Abbas and Manal Mahamid.
 

War-Torn Ecologies: Resistant Worlds is curated by Odessa Warren, Umut Yıldırım, Reem Shadid (Beirut Art Center), Siegrun Salmanian and Angelina Radaković (The Mosaic Rooms).

The programme will resume at Beirut Art Centre in September 2024.

ARABIC

The programme War-Torn Ecologies: Resistant Worlds is supported by Art Jameel and British Council through Anhar: Culture and Climate Platform.

Design by Rand Hamdallah.

common /play\ grounds

common /play\ grounds is a reciprocal project hosted by yasamin ghalehnoie and sass popoli. This project sides with our programme strand Mujaawarah (neighbouring)* dedicated to convivial learning, social action, and communal understanding.

The year-long project will end with lip service, a performance and launch of publications celebrating common/play\grounds. lip service is a performance of three playmates (yasamin, sass, hannah) organising, preparing, and attending to a playground of their common desire, bearing the weight of the everyday psychosocial anxieties and disabilities towards taking part. The performance plays out five new publications printed throughout this project, along with an improvised soft score.

/inward. outward. collective play time. words burst into an inaudible murmur of out of tune yells; coordinated repetitions spill beyond their borders. An invite takes place. Going up the slides, through to the assembly point; holding hand up face down closed eyes. “ohhh my playmates! don’t be shy to take part. the world has come to an end and we still,”\

The performance also launches five publications of poetic visuals and words in collaboration with Hannah Clarkson, Angela YT Chan, and Ashkan Sepahvand in response to the workshops organised by the artists at The Mosaic Rooms as part of the project common /play\ grounds The publications /Hold keeping with my insomnia, Pleasures of the Mouth, What are Autoimmune Autographies, Failed Weathered Radios, How to Play out Rejection\ will be available to purchase at the event at and in collaboration with Peer Gallery.

 

*Mujaawarah (neighbouring) is a concept practiced and developed as radical pedagogy by Palestinian learning theorist Munir Fasheh. At its heart lies the nurturing of rootedness and community, in opposition to hierarchies, and its core value is shared wisdom and wellbeing. 

 

common /play\ grounds (a letter from the artists) 

Conceived by yasamin and sass, common /play\ grounds host soft bonds and firm desires to rehearse be(longing), daydream in our nervous tongues, and tongueless languages, and rest in clockless commons: |homes| |lands| |times| |futures| |economies| |{}| 

As echoed in their letter of the night, to disengage genocidal futurity, abused histories, and catastrophic times, we want will do should need desire care to love and befriend; make kinships, care networks, solidarity economies, and trust circles. 

We hope to translate displacement and distress embodied in our cross-disabled and unruly bodies; and transnational memories to cosmic portals we wander through collective writing, improvisation, walking, performing, and publishing. 🪨🍄

If our societies and material conditions have made you displaced, disabled, distressed, sick, and alienated, and if you are a fugitive, immigrant, qtbipoc diaspora, differently abled, neurologically divergent, in need of play and rest, curious to make subversive friends and fabulations, we invite you to assemble and make time with us in sittings to come; for our collective memory and our will to remember, to imagine our futures past gone, and to think with what has been deemed wasted, failed, unproductive, dispensable and ornamental, for all the timelines we have lost. 

Let us roam to places that do not yet appear to us, and in departing with trust, think about the questions around time, spaces and commitments, and the upkeep of cooperatives. For this is a practice of imagination and imagination is a practice of undoings and doings. 

yasamin is a restless daydreamer. They are possessed by the unruly ghosts of wasted lands, times, and bodies. sass comes from the moons of uranus where Persian cats scratch and defecate. They facilitate, write, draw, print, and walk in common /play\ grounds, seeking to play, rest, and reset with friends: Maymana Arefin, Ashkan Sepahvand, Hannah Clarkson, Angela Yt Chan and Mandy Merzaban

Unfolding over five workshops, yasamin and sass invite you to realise playgrounds, dream subversive modes of being, imagine otherwise, and to rest and moaasherat (coming together).

The project offers opportunities to publish collectively, perform, and share work in the playgrounds of our imaginary worlds; through zines, letters, maps, and poems. 

How to participate 

If you are interested in joining our community and participating in five workshops in London locations and at The Mosaic Rooms, please email us at contact@archive.mosaicrooms.org with your response to the questions below (in any format and language you feel rested in): 

What is play to you? How do you want to play on these grounds? Or, share with us why you’d like to join us.

 

The project is generously supported by Arts Council England.

Image: Artwork by yasamin & sass. Courtesy of the artists.

Performing Colonial Toxicity

The public programme running in tandem with Performing Colonial Toxicity by Samia Henni offers multiple entry points to further engage with the concerns and research in the exhibition. The programme embraces Henni’s methodologies, engaging in alternative approaches to archival investigations to interrogate colonial histories and untold stories.

Events in the programme invite critical discussions around colonial and nuclear toxicity, stemming from recent academic and artistic work situated in the Global South. The programme opens with a focus on the Sahara, with Samia Henni, leading a walk through the exhibition to discuss the impact of French colonial violence in Algeria and more widely her work in disseminating her research in an exhibition format. In response, Zain Al Saie, curates an online talk with Jill Jarvis foregrounding research on the role of art and literature as a witness to trauma endured by Algerians during and after French colonisation. A panel bringing back Samia Henni, alongside experts such as David Burns, Alisher Khassenaliyev andMaïa Tellit Hawad, examines the wider field and entanglement of nuclear toxicity, making comparative connections with similarly impacted people and geographies, including the Sahara. 

A new film programme, Ciné-Sahra contributes to a nuanced understanding of colonial violence in the Sahara and the resistance rooted in this environment. Watch the UK premiere of Memories of an Unborn Sun (2024) by artist Marcel Mrejen, in dialogue with And still, it remains (2021) by Arwa Aburawa and Turab Shah, and Galb’Echaouf (2021) by Abdessamad El Montassir, followed by a conversation with the filmmakers. A partnership with Nottingham Contemporary in their programme accompanying Hamid Zénati’s retrospective exhibition, will present a second screening of And still, it remains, followed by a somatic event with Assia Ghendir. 

Further ecologically rooted, embodied research and readings manifest in the programme through a performative event in three acts with Alaa Abu Asad, and a reflective walk with Tawfik Naas and Emily Sarsam, in collaboration with San Mei Gallery. Alaa Abu Asad will share his research The dog chased its tail to bite it off (2018– ongoing) on invasive species, tracing the history of the Japanese knotweed plant, through colonial history, and social, economic and political effects. Artists Tawfik Naas and Emily Sarsam lead a guided exploration of lens shifting, inspired by Naas’ exhibition ‘Chaos Is A Flower’ in Myatt’s Fields Park offering perspectives to reimagine the past and the future. 

Artist Himali Singh Soin will create a therapeutic garden, proposing mending through growing plants with decontamination abilities, entangled with a several such gardens planted around the world. The programme closes with the premiere of An Affirmation (2022), the final video of Soin’s series Static Range, set around the UK’s decommissioned nuclear plant, Sellafield. An extension of the film’s healing ritual will take place in the garden, led by the artist in collaboration with Viveka Chauhan.

CALENDAR OF EVENTS

FRIDAY, 20 OCTOBER 2023

The Mosaic Rooms join the global strike for Palestine on Friday, 20 October. Together with artists and other organisations, we will be closed and use this time to learn and reflect together in order to work for a better future for everyone. We encourage you to join in solidarity.

Palestine Reading Resources

We encourage you to amplify the voices that are coming from Palestine during this critical moment in its people’s struggle for justice and peace. We have also linked here reading resources collated by our community of friends, artists and academics.

Donate to Medical Aid for Palestine’s emergency appeal for Gaza

  • Open access issues
        • STUART Paper Issue 2: The Openness of the horizon to which I am not is a live archive of artists’ thoughts and visual notes on the subject of solidarity with Palestine – download
        • The Funambulist Issue Learning with Palestinedownload
        • Mizna The Palestine Issue download
        • Palestinian Feminist Collective Handala’s Return: A Children’s Story and Workbookdownload
        • Red Sunday School zine From the River to the Sea, All the Children will be Free – download
        • Publishers for Palestine Poems for Palestinedownload
        • Researching Palestine – download
  • Edward W Said London Lectures – watch
  • Radio Al Hara’s Until Liberation Learn Palestine with lectures, talks, interviews, stories, poetry, sound – listen
  • Learning Palestine – browse/listen
  • Reading Lists compiled by
    • Afikra / Maktaba Bookshop – read
    • Bilna’es / The Mosaic Rooms – read
    • Decolonize Palestine – read
    • Decolonize this Space – read
    • Haymarket Books – read
    • Izdihar Afyouni – read
    • RESOLVE Collective / The Mosaic Rooms – read
    • University of California Press – read
    • Verso – read
    • Abolitionist Futures – read
    • ArabLit – read
    • Passages Through Genocide – read
  • Articles by
    • Mohammed El Kurd – read
  • Book discussions by
    • Rashid Khalidi on his book The 100 Years War on Palestinelisten
    • Ariella Aisha Azoulay on her book Potential Historylisten
  • Films
    • Palestine Film Institute PFP Film of the week – watch
  • Online Exhibition
    • Palestine Digital Action Toolkit by Palestinian Feminist Collective – download
    • Black Feminist Writers on Palestinie – watch/listen
  • Podcasts

Resources for children

  • Handala’s Return: A Children’s Story and Workbook – download

STUART issue 2: The openness to the horizon that which I am not

We have made STUART Paper Issue 2: The Openness of the horizon to which I am not open access and downloadable. The issue is a live archive of artists’ thoughts and visual notes on the subject of solidarity with Palestine. We encourage you to download and share it, so as to amplify the voices that are coming from Palestine during this critical moment in its people’s struggle for justice and peace. We have also linked here reading resources collated by our community of friends, artists and academics.

Donate to Medical Aid for Palestine’s emergency appeal for Gaza

 

STUART Paper Issue 2: The Openness of the horizon to which I am not features contributions by: Al Wahat Collective (Areej Ashhab, Gabriella Demczuk, Ailo Ribas), Dina Mimi, Disarming Design, Elias Wakeem, Fana’ Collective, Karmel Sabri, Hajra Waheed, Islam Shabana, Ismail Nashef, Jumana Emil Abboud, KURS (Miloš Miletić and Mirjana Radovanović), Mohammad Sabaneh, Mo’min Swaitat / Majazz, Mothanna Hussein, Nika Autor, Qusai al Saify, Radio AlHara, RESOLVE Collective, Rouzbeh Shadpey, Shayma Nader, Tai Shani, The School of Mutants (Hamedine Kane and Stéphane Verlet-Bottéro), and Xaytun Ennasr.

STUART is an art publishing practice and collective producing printed matter and publications, designed by Rose Nordin. Initiated by Rose Nordin with Sepake Angiama, Priya Jay and Amrita Dhallu at iniva — the project centres the process of ‘live archiving’, conversation as marginalia and the book as a site of collaboration. The approach to publishing takes modes of thinking from the legacy of Stuart Hall. Previous issues include issue 0 (2021) and issue 1 Drift (2023), edited by Tavian Hunter and Sepake Angiama.

 

 

Solidarity FX and Solidarity Re:verb

What is a party without the people? How can we activate a moment of solidarity, so that it belongs to many and not to few? How can we use listening to tune in to the possibilities that sonic solidarity offers?

Join us for a public programme curated by students from MACC collective highlighting sonic practices as tools for nurturing solidarities. Reverberating ideas through the form of a party, this programme invites us to gather together to enjoy the experiential. Through traces of mutual and continuously evolving exchanges, solidarities are composed and defined by you and your fellow party goers.

Inspired by fugitive radio, the sounds of protesting, and partying, the two-day programme will consist of participatory performance, DJ sets, conversation, a bespoke listening lounge with Syrian Cassette Archives and a site-specific voice note project. These practices and gestures are designed to activate moments of solidarity and explore its potential to be transmitted through sound waves. This live event will be archived as a tool for future use.

On Saturday, Solidarity FX party commences. The line-up opens with a set by Mo’min Swaitat, Palestinian Bedouin actor, filmmaker, music producer, DJ and archivist from Jenin, followed by LUMA, a British-Iraqi DJ and radio host, whose Arabic heritage and urban London roots influence her rhythmic percussion. DJ Tabideee, a British-Sudanese DJ and founder/creative director of Space Black will play a set celebrating techno music. The bar will be hosted by British-Jamaican mixologist Amelia, founder of Fill My Cup. The night aims to nurture community, inclusivity and fun.

On Sunday, Solidarity Re:verb echoes the traces of the night before through an open conversation and a participatory performance by Bint Mbareh. By exploring the question ‘How can we listen to the possibilities that sonic solidarity offers?’ participants are invited to interrogate how they listen to themselves and others in order to expand their understanding and capacity for solidarity.

 

This programme is curated in participation with The Mosaic Rooms by MACC collective, a collective formed of seven students from Chelsea College of Arts’ MA Curating and Collections course – Sara Abahsain, Elspeth Bland-Dear, Faisal Ghloum, Beata Li, Junnan Li, Qingrui Lin, Zhipeng Wen. Bringing a diverse range of cultural and educational backgrounds, the collective works to playfully ask questions, to learn through practice, and to enable participation.

Constellations of Multiple Wishes

The group exhibition Constellations of Multiple Wishes contemplates entangled recent histories, from the foundations of the Non-Aligned Movement. Co-curated with Bojana Piškur, the exhibition brings together archival materials, existing and newly commissioned works that connect peripheral geographies, agitating relationships between time and memory.

Curators Bojana Piškur and Angelina Radakovic are discussing the current exhibition Constellations of Multiple Wishes at the gallery. Learn about the curatorial thinking behind the show.

Flag for Solidarity

Visible from the street, at The Mosaic Rooms until 4 June.

Our Flag for Solidarity was co-created with artist collective KURS (Miloš Miletic and Mirjana Radovanovic) and workshop participants Aya, Julia, Hamja, Laiba and Yazhi, as part of the programme for the exhibition Constellations of Multiple Wishes.

‘may you walk ever
loved and in love’

is inspired by and a homage to Suheir Hammad‘s poem Talisman which we discussed together in the workshop. The folded triangle points to the popular shape of talismans, and represents the line ‘fold this prayer around your neck’ from the poem. The small arched triangles refer to the sun above a moon, a guiding principle of the poem.

 

Miloš Miletic and Mirjana Radovanovic jointly practice visual art and research as KURS. In their work they explore how artistic practice can contribute to (and become an integral part of) various social struggles. They often use archival material as a starting point, combined with revolutionary poetry/prose and the visual language of progressive movements from the past.

Books for Earthquake Disaster Relief

In light of the devastating earthquake, its thousands of victims and still unfolding implications on the lives of our friends and everyone in the affected region of Kurdistan, Syria and Turkey, we are organising a small fundraiser. We will donate all the proceeds of our online and in gallery sales (8 February – 31 March 2023) of Flowers of Palestine (book), Flowers of Palestine (prints) and Freedom is Indivisible by KURS (new zine) to disaster relief charities. If you can, please consider supporting the fundraiser. Sending solidarity!

The bookshop is open Tue-Sun 11-6. You can also browse online on www.archive.mosaicrooms.org/shop.

Click here to directly purchase Flowers of Palestine (book)
Click here to directly purchase Flowers of Palestine (prints)
Click here to directly purchase Freedom is Indivisible (zine)